Grimstock, or ‘Grimftock’ as the image above would have it, is taken from the first edition of Playford’s ‘Dancing Master’ 1651. A nice little tune to ease us back into face to face sessions.
Here’s a quick run through for reference, beginning with melody only and then adding some chords. As ever the chords given are merely a serving suggestion.
There are plenty of videos of the dance available online including some with some seriously impressive ‘olde English’ costumes – this one’srather jolly though. Finally, and for other reason than I am a big fan, here’s a version from John Spiers
Smash the Windows – or Roaring Jelly. The tune of month for our April isolation session. A jolly little jig to keep you busy and away from watching the news too much. As ever the chords shown are merely a serving suggestion.
The April session will be a Zoom meet up – as much a social and a check-in to say ‘hi’ and make sure we’re all doing OK. Stay safe session buddies.
Once again the tune of the month is not the tune that was intended – this one is such a jolly little tune and was so well-received in the Wheaty session recently that its shoved it’s way into the list as ToTM for March.
Waltz for the Valeta, from the playing of East Anglian Melodeon Player Percy Brown.
For anyone feeling particularly enthusiastic and energetic here’s a walkthrough of the dance steps, although patrons are reminded that there is limited space in the Green Man so please don’t get carried away.
T:Waltz for the Valeta
As ever, all our tunes are available in a single abc file available for download.
Foul Weather Call – a tune found in the manuscript of the Welch family of Bosham in West Sussex. The manuscript dates from 1800 although it was added to in subsequent years. This might be a predictable choice for February (OK, it is) but this is a lovely tune – and as it’s often heard in sessions up and down the whole year through it’s a great choice for our tunebook
Here’s a lovely version from Owen Woods – the entire album is a gem and well worth checking out if you don’t already have a copy.
The latest of our attempts to find a tune that’s appropriately wintry but not so Christmassy that it’ll sound distinctly odd in May, here’s ‘Drive the Cold Winter Away’. An Elizabethan Carol and, under the name ‘When Phoebus Did Rest’ the tune for a Playford dance and now the Ewell Sessions Tune of the Month for December 2019. Wassail!
Oscar Woods was an East Anglian melodeon player from Benhall Green, near Saxmundham, Suffolk. He was inspired to play melodeon after hearing an old farm worker ‘Tiger’ Smith playing. The two later became playing partners, where Oscar also learned from other players, notably the Seaman family of Darsham.
A tune from the Hook/Hardy manuscript of Dorset tunes – this tune is taken from a manuscript of tunes given to the grandfather of Dorset novelist Thomas Hardy by one James Hook, the manuscript is believed to have originated from Hook’s father – either way there’s certainly some history to this one. This tune goes well with Wheaty session favourite ‘Paddy Carey’s Jig’ and was popularised by Andy Cutting and Chris Wood – which gives me an excuse to share this gem from the archives.
Maybe we can try both tunes out together in the Wheaty later in the month?
A tune I learnt a long time ago but forgot about until recently – this tune came to me via the playing and teaching of Ed Rennie waaaaaaaay back when I first picked up the squeezebox. Ed and I will be teaching absolute beginners melodeon at Towersey which is what brought it back to mind – anyway, ’tis a jolly little tune which seems to fit in well with the Green Man Sessions repertoire.
Let’s get this session season off with a bang, folks.
I will record and upload a melodeon version over the next few days, but in the meantime here it is a Regency dance tune.
Published in Playford’s Dancing Master, and commonly used for a dance of the same name this tune was requested by some of our session regulars after it was used as the tune for a solo jig by a certain local morris side.
A tune found in the Welch manuscript (Sussex, 1800) and in William Litten’s copybook manuscript (1800-1802). Although this is something of a session favourite favourite throughout the land it was just ‘one of those tunes’ until the new album from Matt Quinn and Owen Woods landed on the doormat. Their version of the tune is simply stunning – so good in fact that the tune jumped right to the top of the list.
To hear what Matt and Owen do with the tune check out their music on Bandcamp – a real treat for the ears.